Tuesday, October 10, 2006

Dot-Com Bubble, Part II

Less than three years after emerging from nowhere, the super hot MySpace is on pace to be worth a whopping $15 billion in just three more years. Or is it?Is the much smaller Facebook, run by a 22-year-old, really worth the $900 million or more Yahoo! is reported to have offered for it? Maybe. Or maybe this is Dot-Com Bubble, Part II–with MySpace, Facebook, YouTube and the other new Internet phenoms destined for oblivion when the fad fades. See Andrew Metrick, finance professor at Wharton, analyses of the valuations.
One of the big uncertainties is that analysts can never be sure about any company’s future revenues and expenses, but the problem is even worse when dealing with these young companies as the assumptions used in any valuation model are ideally based on the experiences of at least six or seven competitors. But there is no good peer data in the new social-networking business.

What Is YouTube Really Worth?

Knowledge@Wharton 10.06.06, 10:35 AM ET

Less than three years after emerging from nowhere, News Corp.'s hot social-networking Web site MySpace is on pace to be worth a whopping $15 billion in just three more years. Or is it?
Is the much smaller Facebook, run by a 22-year-old, really worth the $900 million or more Yahoo! (nasdaq: YHOO - news - people ) is reported to have offered for it? Maybe. Or maybe this is Dot-Com Bubble, Part II--with MySpace, Facebook, YouTube and the other new Internet phenoms destined for oblivion when the fad fades.
"What makes this hard is that these companies seem to be so many years away from the kind of earnings that the valuation numbers are forecasting for them," says Andrew Metrick, finance professor at Wharton. The $15 billion MySpace figure "would imply that a lot more people will be on MySpace than are currently on it."
While the social networking sites vary considerably, each relies heavily on content provided by users, who can post personal profiles and build networks among friends and others with shared interests. For the most part, these users have free access, and the sites are funded with advertising revenue. To lure advertisers, young sites typically offer deep discounts that make profitability elusive, and it is unclear when they will be able to push ad rates higher, if ever.
The problem, as Wharton accounting professor Robert W. Holthausen sees it, is a dearth of information to plug into the standard valuation models. "You have little data on what kind of revenues they can generate and what their cost structure is."
Valuing advertising-driven sites is particularly hard because the same numbers--such as the number of users or page views--can mean different things depending on how the advertisers are billed, Holthausen says. "How often do they get paid for that advertising? Is it just when the advertisement appears, or does there have to be a click-through?" Similarly, not every user has the same value. That depends on how much the typical user is likely to spend and what he or she is likely to buy. Finally, Holthausen notes, a site will be more valuable if it uses a proprietary technology than if it simply offers services competitors can easily duplicate.
The $15 billion MySpace prediction was issued late in September by RBC Capital analyst Jordan Rohan, fresh from a meeting with Fox Interactive, the News Corp. (nyse: NWS - news - people ) unit that acquired MySpace's parent company, Intermix Media, about a year ago for a then-astounding $580 million. Rohan cited MySpace's phenomenal growth: It now has more than 90 million active users, twice as many as a year earlier, making it a magnet for advertisers. And it recently signed a deal with Google (nasdaq: GOOG - news - people ) to display search results and sponsored advertising links in exchange for $900 million over three years. In setting the $15 billion forecast, Rohan pointed to Google, which also relies on ad revenue, and which has a market capitalization of $120 billion.
But is Google a good benchmark? It is without question the premier Internet search service, while MySpace is one of a number of competitors scrambling for market share in a new industry. Google has a track record of profitability; MySpace does not.
Moreover, even Google's $120 billion market cap may reflect some irrational exuberance, making it a misleading model. Its shares sell for about 55 times annual earnings, roughly triple the price-to-earnings ratio of the average Standard & Poor's 500 company. Using the same 55-times-earnings figure, MySpace would need about $270 million in annual profit to justify a $15 billion value. Can it do that in three years, given that it is expected to generate only about $200 million in revenue this year? It looks like a reach.
Consider some of the figures bandied about for Facebook. Last January, Facebook founder Mark Zuckerberg, now 22, reportedly turned down a $750 million offer from Viacom (nyse: VIA - news - people ), holding out for $2 billion, according to news accounts. This fall, he is said to be mulling over a $900 million Yahoo! bid. Those are big numbers, considering that the business, started early in 2004, has a modest 9 million users and is believed to have annual revenue of around $50 million (though some experts expect that to double soon). If Facebook were valued at 55 times earnings, it would need a $16 million profit to justify a $900 million price.
Still, there are sure to be some winners in social networking, and sites that are already pulling in significant revenue must certainly have an edge over the dozens of lesser-known competitors. Facebook's estimated $50 million in revenue distinguishes it from the dot-com bubble firms, Metrick says. "There were a lot of Internet companies in 1999 that had no revenue. ... That kind of [$900 million valuation] doesn't seem so crazy if you believe there is a lot of growth built in." But, he adds, "There are a whole lot of examples of firms like Netscape, which grew--and then eventually lost."
Discounted Cash Flow
The market-capitalization method of valuation is typically used with a public company--a freestanding entity that sells stock to the public. And it's best for stating a current value rather than a future one. Analysts also like to factor in a company's future prospects, using any number of calculations to derive a figure for "discounted cash flow." Essentially, they look at expected revenues over a given number of years and subtract expenses to arrive at a figure for "free cash flow." Then, using various assumptions about interest rates, they determine what money received in the future is worth in today's terms.
Analysts can never be sure about any company's future revenues and expenses, but the problem is even worse when dealing with a young company in a fledgling industry. The assumptions used in any valuation model are ideally based on the experiences of at least six or seven competitors, Metrick says. But there is no good peer data in the new social-networking business.
With older industries, analysts often value a company on some ratio, such as a multiple of revenues. "But the problem is, you are assuming the valuations put on these [sites] are rational," says Holthausen, During the dot-com bubble, some companies that did have substantial revenues were valued far beyond what any standard analysis would say they were worth, he says. "You totally had to suspend belief."
After the bubble burst, valuing the survivors did become more sensible, and some are assessed fairly easily with standard approaches, according to Wharton marketing professor Peter Fader. That's especially true of publicly traded companies involved in ordinary commerce, such as bookseller Amazon.com (nasdaq: AMZN - news - people ) and auction site eBay (nasdaq: EBAY - news - people ). Their stocks trade at 45 and 39 times earnings, respectively.
"You're not going to see an Amazon being overvalued like [Internet stocks] used to be," he says, "but these social network sites are the Wild West. This is an area where it has been notoriously fickle. It's not like search engines, where you can really compare them on objective criteria," he says, referring to established players like Google and Yahoo.
Among the unknowns: How well can social networking sites hold on to their users? One player, Friendster, burst onto the scene a few years ago, then largely deflated. On the other hand, users go to considerable trouble to upload information and images to these sites, and to establish elaborate networks of friends for electronic sharing. They are not likely to abandon all that effort as casually as they would switch from one online bookseller to another. "It does seem to me there is some stickiness to the model," Holthausen says.
Networks Based Around Products
Metrick believes social networking sites will not be a passing fad. But there's no guarantee that MySpace, Facebook or any of the other current players will be the big winners in the end. Fader, too, believes social networking is here to stay, but he thinks it may work best not as a freestanding function but as an additional feature on sites that draw users for other reasons. Hence, the winners may turn out to be other sites that adopt social networking features. Or they may be new players, or current networking sites that broaden their offerings.
Many sites may ultimately be acquired in the way MySpace was bought by publicly traded News Corp., the enormous multi-national media company run by Rupert Murdoch. Part of the News Corp. strategy is to let advertisers link users into networks based around products, such as movies or music groups. More than a million bands have profiles on MySpace, for example.
If MySpace becomes the model, social networking sites will be quite different from the classic companies of the dot-com bubble, which tried to cash in big by going public while staying independent. The risks are not the same when an iffy venture is part of something bigger, says John R. Percival, adjunct professor of finance at Wharton. "This is kind of like the oil and gas business. The risk might not be as great as you think, and a high valuation might be justified."
A small, independent oil driller faces a huge risk in drilling a new hole, which may be dry, he says. Compared to that, risks from changing oil prices and demand are relatively small. But the situation is reversed when the driller is part of a bigger enterprise that drills many wells. A dry hole here and there doesn't matter, but changes in oil prices and demand do.
Social networking sites may be risky for their founders and the venture capital firms that fund them in the early years, but they don't appear to be pumping huge amounts of risk to the marketplace the way tech firms did in the late 1990s. "If you have a little bit of money invested in this, and you're already invested in other things," says Percival, "frankly, the risk is not as big as you think."
Recalling the first dot-com bubble six years ago, Fader notes, "We all look back and laugh and say we will not go through that exercise again. But this could easily be a case of history repeating itself."

MySpace - the ultimate black hole of the on-line advertising?

Robert Young has a very interesting piece today on GigaOM called The Future of Social Networks – Communication. In this piece Robert argues that the key to the rise of the social networks is communication. In particular, he talks about MySpace innovation called the wall – a personal bulletin board, which enabled direct communication between MySpace members. Robert also argues that new and innovative form of communication, like personalized video messages, will be the future fuel of MySpace and the likes.

Robert’s analysis is very good and he is right - communication and user generated content is the key to the new web era that we live in. But I’d like to take look at a different issue that has been on my mind for the past month or so: Is MySpace worth the money spent on it? It might seemed like an odd question at first because it is widely recognized that Rupert Murdoch’s instincts once again proved right. I do not doubt that, because he is not the one who pays for MySpace, he is the one who is now making money off it. MySpace’s funding comes from advertising, as large corporations and small businesses put increasing amounts of money into online ads. So my question is what are they getting out of it?

Here now we are entering murky waters where the laws of physics simply break down. Who can tell if the reaction is related to the action to when it comes to on-line advertising? It seems like Google should be able to, but this is not quite the case. Just because someone clicked on the ad, it does not mean that they actually purchased the good or the service. To complicate things further, there is such thing as click fraud, and it is big. Just a few weeks ago, Business Week proclaimed that as much as 13% of ad clicks were fraud. So this means that not only we can not track the effectiveness of the advertising, we can’t even be sure if the click was real or not.

Leaving the issue of accounting and statistics aside and coming back to MySpace, there is also a question of whether the target of the advertising is meaningful. Who is the audience on MySpace? One of the comments in Robert’s article drums a common theme – there is a seventeen year old who is hanging out on MySpace all the time. I bet, because MySpace is so cool. But the problem is how much money is she going to spend on-line? This is not a trivial question, because she does not make much now and if she is going to keep hanging out on MySpace, she likely to miss out on school big time. So yes, no one doubts that MySpace hosts a huge audience, but I ask is this the right audience? Are they going to spend the money? I am not so certain that the answer to this question is ‘yes’.

If it turns out that I am right, then what we have here is a kind of black hole. The money floats from companies big and small via Google and Yahoo! advertising channels through the growing pockets of Mr. Murdoch right into big nothingness. There is no ROI for the business in this scenario. There are big advertising budgets, large audiences, but there is no feedback. So is this true? I hope that it is not, but please tell me what you think.
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Myspace Bulletin : Unilever-owned Lynx first UK advertiser to launch a ‘branded community’ on MySpace

Myspace Bulletin : Unilever-owned Lynx first UK advertiser to launch a ‘branded community’ on MySpace

Unilever-owned Lynx has become the first UK advertiser to launch a ‘branded community’ on MySpace, promoting its male grooming products to the site’s 4m UK users.


Lynx is pushing its Boost shower gel range through the News Corp-owned social network, leading users to lynxboost.com, a promotional site reliant on user-generated content.
On MySpace users are encouraged to interact with Towel Boy, the TV star of Lynx’s latest ad campaign, who introduces himself as a ’semi-naked superstar’. ‘This MySpace page is a master-class in the way of the Towel,’ his profile reads.
Users are then encouraged to visit the Lynx Boost website where they can submit videos of themselves partying in towels, for the chance to win a ‘Manwash’ from Lynx’s Boost Babes.
Sports company Adidas was one of the first to create branded communities on MySpace in the US but Unilever’s deal is the first MySpace has struck outside the US.
Jay Stevens, VP of sales operations at MySpace, admitted that Lynx has created a “fairly basic community”, but said that there are several profiles under development that will offer brands and users more opportunities to interact through polls, contests, forums and user-generated content.
“Branded communities offer advertisers a place on MySpace which is distinctly theirs,” he said. “It also gives MySpace users the chance to interact with brands to an extent that’s just not possible in a normal web environment.”
Stevens said MySpace plans to extend localised branded communities to other countries although he said the current priority for the company is to provide each country with content in their native language.
He maintained, however, that MySpace won’t host branded communities from companies who don’t fit with the MySpace image.
“Privacy and user-experience are the most important things for MySpace,” he said.
“We’re not forcing users to affiliate with brands, it’s more of a permission branding model,” he added.
Agency Republic and Mindshare Interaction were behind Lynx’s MySpace campaign.
myspace.com/towelboy
lynxboost.com

MySpace bans

(1) MySpace bans you when you piss other MySpace users off. *If* you are banned, you'll go to log in, and it'll just return you to the login screen. No "You've been deleted" or whatever notice - just can't login, account is gone... The most common way for a profile to get banned is to send out spammy messages - promo messages - to other MySpace users. When they read that message in their MySpace "inbox," there a little link right above it to "Flag as Spam." Once a few people hit you for that, your account is gone.(2) Some new accounts (opened in the last 3 months or so) have problems sending out messages. The messages look like they're sent, but the recipient never gets them. There's a bunch of threads on this at the MySpace forums, and the owrd is they're working on fixing it. It effects even regular users, and it seems random, so IF you want to send messages, you'll just have to open a lot of accounts. Keeping in mind that some won't even send messages so teh recipient actually sees them, and some will be deleted once the messages are sent (flagged as spam, see #1 above) - you'll be making more then a few mySpace accounts.(3) That all said, messaging is, BY FAR, the best way to reach individuals on MySpace. An affiliate of mine is making a full-time income promoting my software via messages. It's a numbers game, of course.(4) Comments are an excellent way to promote an offer and/or get backlinks to your own site(s). Not only does the owner of the profile see the comment, but all their friends who visit their page do too. Get some comments on high-profile pages, and you're in business. To do this, make your comment have something of value to the profile owner (i.e. a funny pic) in addition to your link or promo - they'll be more likely to leave it on their page.(5) The quality of/response to bulletins on an account depends on WHERE the friends of the account came from. You could have an account that's all "real" people and they'll respond to/take the time to read your bulletins exponentially more then those accounts who's friends are made of other "whores" and "promoters." But getting a profile with friends who are real, normal users takes a lot longer, as they want to know who you are, why you want to add them as a friend, etc. So it's quantity v. quality - I go for quantity, as I don't have the time or inclination to do otherwise.(6) MySpace is changing A LOT of their code right now (within the past week, really, and more code changes are coming through daily) - say any bot that runs on MySpace will need some huge changes to their coding and end users will experience some wonky things until updates are out.
MichelleBadder Adder - MySpace Friend Adder

My original creative was

Absolutely if not better.Personally I wasn't really happy with the creative.My original creative was:
Quote:
Dude - Check it - I stepped on my Nano and busted the screen. But these dudes are going to send me a new one free! You can get one too, just fill in the form and answer some stupid questions. Two things:One is that the msg actually sent sounds a bit spammier and promotional.Two is that it just says 'Enter email into form' and you will magically get an iPod...My creative sounds like a real person, has a story that makes it sound believable (ppl assume spammers are too lazy to make shit up). This would have increased retention and msg open rates.My creative doesn't mention giving up email (ppl don't like that!) just says 'fill out a form'. I think this would have dramatically increased CTRSaying 'answer some stupid questions' lets people think it is ok to go past step one and lets them know what happens next, making them feel safe about doing so, distracting them from wondering or thinking about "what happens if I put my email here? Will I get spammed like mad?" Thus dramatically icreasing conversion rates.But maybe I am dead wrong... Only a good A/B test would tell us for sure. Maybe a spammy sounding simple message was the best way to go? Got the results we were after, but I do suspect my creative would have perfoemed much better. I have send out 1000's of promotional offers and done much experimentation with subject lines and A/B testing.If we REALLY wanted to improve open/Clicks/conversions, we'd send out PERSONALIZED messages to each of our friends saying "Hey Billy, Check it out" in the subject line. Which i imagine can be done, just takes more work than using the bulletin system.

http://www.earnersforum.com/showthread.php?t=1742&page=2

There are basically 3 types of MySpace users

Here's the deal...You can send 2-3 bulletins per week w/o killing the profile, if you do it right... The way that the bulletin system works, it will only display 5 bulletins at once, so many bulletins get missed because they are pushed off before they have a chance to be seen.There are basically 3 types of MySpace users, and they log in at different times. There is the "while I'm at work" crowd...the "after work/school" crowd... and the "late-night" users...You need to send your message out at 3 different times of the day to catch all of these people... usually around 10am, 3pm, and 7pm.Sure...you will have a few people who will see all three and delete you, but trust me... the percentage is so small that it doesn't matter.
MySpace Layouts - It Pays the Bills!

Spam'n and Jam'n on mySpace - Experiment Results - WOW!

As a follow up to this thread:http://www.earnersforum.com/showthread.php?t=1408
We decided to be a bit more scientific than the Underpants Gnome web 1.0 methodology and actually have a plan.Phase 1. Build WebsitePhase 2. ????Phase 3. Profit!!Just doesn't cut it any more in the Web 2.0 worldQuestion:How much money can be made sending out bulletin messages to random mySpace users?Phase One:Build ProfileA profile is created of a fictional user.Adderbot is used to send out random 'Add me to your friends' requests.100's of requests are sent out daily over a few month period.Build the profile to have approx 5000 'friends'.Profile demographics targetted to 18-25 yr old males.Phase Two:Create OfferWe choose an offer from the Azoogle CPA Network (See my Sig for Link).We directed the traffic through my domain so that we can track unique clicks, user agents, IPs, timestamps and actions.http://www.ChickenHole.com/ppc/index.php?CampaignID=37The offer is for a 'Free iPod Nano'.We get paid ONLY if the user enters their email address into the form. What they do beyond there makes no difference to us. 99% will not complete the requirements to actually GET an iPod. But we don't care, we just want them to complete step one. The payout is $1.40 per email address submitted.The Bulletin was as follows:Subject: WOW!!! THIS IS SO EASY!!!Body: Anyone with a MySpace account can get a FREE iPod just by entering your email address into this form!!!" CLICK HERE!!!Message was sent at approx. 6 PM Friday night. It is now 10 AM Tuesday morning.Phase Three:PROFIT!!!Results...93 Unique Clicks - 1.86% CTR - Clicks came mostly on Sat and Sun evenings26 Conversions - 28.26% Conversion Rate$36.40 in Revenue - -WooHoo! Let's head down to the [strike]Ferrari[/strike] Vespa Dealership!So my original prediction turned out fairly accurate:http://www.earnersforum.com/showthre...2888#post12888
Quote:
But I'll say we get a 3% CTR on the 5000 msgs = 150 and a 15-20% conversion on those = 22-30 at $1.40 so we'll make $30-$40. Comments? Questions? Areas for improvement? Tips on how to turn that $36 into $3600 (besides doing it 100x over)?
Join CPAEmpire - Best CPA Network out there!

MySpace: Unstoppable Force or Unnecessary Click Factory?

So I just read the big article about MySpace in today’s New York Times and it got me thinking a lot about growth, monetization, and user experience. People always talk so much about how many pages MySpace serves up and how that represents such dramatic growth.
After playing with the thing for a few weeks and writing a hugely ridiculous article on customizing it, one thing has really stuck out to me: there are a tremendous amount of extraneous page views being generated at that place. It’s a factory of unnecessary clicks.

That’s right. I hold that at least 2/3rds of page views would disappear. Here’s what I mean. This would be the flow in a, say, Google-engineered network experience:
1. Click over to “GoogSpace”, or whatever we want to call it. (+1 page view)2. Click through to read and reply to all mail (0)3. Visit a few friends’ pages (+3)4. Edit my profile page (+1)
That’s about 5 registered page views. The rest of the interaction comes from XML/HTTP requests.
Here’s the same sequence on MySpace:
1. Click over to MySpace. (+1 page view)2. Log in, because MySpace doesn’t remember logins very well. (+2)3. Click through to read and reply to all mail… about three per mail. (+21)4. Visit a few friends’ pages. (+3)5. Reload a few pages because of server errors. (+3)5. Edit my profile page. (+10)
That’s about 40 registered page views… and it’s not an atypical pattern at all, from what I’ve found. Many people have also mentioned that web-based IM generates a ton of clicks for them as well.
So what’s my point? Well, first and foremost, the “cost” of running a web site that maximizes interaction and yet sacrifices page views in the name of user experience can be staggeringly high. If any layperson or out-of-touch analyst looked at the second graph above out of the blue, they’d think MySpace had run into something awful. And I only chopped the page views by 2/3rds. It could be a lot more.
Now, ordinarily you’d look at this as a very bad thing for MySpace. Essentially generating extremely “low quality” page views left and right. But the New York Times article said MySpace’s pages were selling for a paltry $.10 CPM. Ten cents! That means I could buy 5 million page views for $500 on the second-most popular site on the internet! As forensic expert and O.J. Simpson defense witness Henry Lee once said: “Something wrong here.”
In addition to the low CPM, MySpace ad inventory is apparently not selling out, which means they could perhaps deal with some page view shrinkage at this time. The problem, however, is that less page views does not mean automatically higher CPMs. It does when people are beating down your door and you’re oversold all over the place, but not when you’re lowering prices just to keep ads populated around the site.
So hypothetically, if MySpace went from 30 billion page views a month to 10 billion page views a month overnight due to some much needed site modernization, what would the consequences be? On the product side, it would be unquestionably positive. Better user experience equals much greater user happiness and stickiness. On the economic side though, it’s a little less clear.
There are three conditions a site can be in: undersold, sold out, or oversold.
Let’s take the undersold situation; the situation MySpace is currently in. According to the NYT article, they are doing about 30 billion page views per month and are not sold out. Let’s just say that hypothetically they are *close* to sold out and they have about two ads per page… so maybe 50 billion ad impressions per month. At a $.10 CPM, that’s $5 million. But we know that the average CPM on MySpace is probably higher and we know that they will take in about $200 million this year (or $16.6 million per month), so that’s about an average CPM of about $.33 (at this point, we’re in conjecture mode). So given our new inventory of only 20 billion page views a month, after user experience optimizations, that’s $6.6 million a month. But since there are so many less impressions available now, can they charge a bit more than $.33 CPM? Probably. Bump that up to a dollar and you’re already ahead of where you were, revenue-wise, before you optimized.
(Edit: I just re-read the article and 10 cents is not the bottom price but rather the average price, so if MySpace is bringing in $16.6 million a month, that means they are selling 166 billion ad impressions a month… which they don’t have. So let’s say they have 50 billion ad impressions to sell at $.10 CPM. That’s only $5 million. Either a ton of MySpace’s revenue is *not* coming from CPM ads (entirely possible), or I am seriously forgetting how to do math.)
Now, the scenario above is only true if you’re in the situation MySpace is in, unfortunately. Way more page views than you know what to do with and massively undersold from a price/quantity standpoint. Take any of their competitors, or really any company who is earning decent CPMs and doing ok on ad inventory, and you could almost never dream of eliminating a ton of your page views. This is a dilemma companies face every day when deciding if and when to replace precious but inefficient page refreshes with more user-friendly Ajax calls.
So where am I going with all of this? Well, I hold that MySpace is in a unique position right now because of the numbers they are putting up combined with the fact that they are now owned by an $18 billion company, and the absolute best thing they can do right now is reduce their inventory by reducing their page views. Or at least reduce them “per action” on the site and continue to grow their user base. The founders have already had their big liquidity event so there’s certainly no need to create artificial page views to make yourself look better to suitors anymore.
As for additional streams of revenue and monetizing MySpace further, I’d drop the hope that companies will purchase pages that users will want to “friend” and concentrate on more on turning each and every kid into a walking product endorser. In fact, if I wasn’t running Newsvine right now, that’s the business I’d be in.
I know everyone says MySpace is this unstoppable force that will always be as popular as it is right now, but if I’m them, I’m more paranoid than that. The only company I know of that can stay consistently a step and a half ahead of pop culture is Apple, and even *they* do it to a large extent with user experience.
If you believe Malcolm Gladwell’s principles from The Tipping Point, you believe that all it takes is the right group of 50 influential kids in New York City to start using another social networking service and the pendulum will begin to swing. That’s what people like Fred Krueger and Ted Leonsis think, and although I’m not sure whether or not they’ll be the ones to do it, I certainly believe in the fragility of it all.
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U.K. Paper to Hook up with MySpace

The Sun (U.K.) is planning to connect its website to social-networking site MySpace.com to create a "MySun" online readers' network, reports the Guardian (via paidContent). Readers would go to a MySun portal to create their own web pages and blogs, as well as share pictures and video clips with friends using MySpace.com software. Rupert Murdoch's News Corp. owns both properties. MySpace.com has 60 million registered users in the 16-34-year-old demographic.

At a speech in London on Monday, Murdoch praised the networking site: "This is a generation, now popularly referred to as the 'MySpace generation', talking to itself in a world without frontiers," he said.
"It is just one example of how the media, with its ability to reach millions with information, entertainment and education can use the achievements of technology to create better and more interesting lives for a great many people. And it is one reason why I believe we are at the dawn of a golden age of information - an empire of new knowledge."

MySpace's Gold: Teens Seek Identity, Identify with Brands

Marketers who wish to communicate with teens on social-networking site MySpace should adopt the approach of cultural anthropologists to decipher teens' various subcultures, according to MySpace.com SVP of marketing and content Shawn Gold, writes MediaPost. "We take a sociological approach to building MySpace, and advertisers need to be cultural anthropologists," he is quoted as having said during a keynote at the OMMA Hollywood Conference & Expo.
Social networks are "about individuality and identification and connecting with others," he said, and teens want to both belong and seek self-expression; they want recognition, appreciation and knowledge. "We think that every feature on the site needs to tie in with these core needs."


Gold showed how those needs result in teens' incorporating brands into their online identities and interaction; one page, for example, shows images of the LA Lakers, an Aston Martin and other auto brands. "There are thousands of brand programming opportunities that have yet to be exploited," Gold said, referring to niche communities on MySpace
Gold pointed out MySpace programs with Aquafina, the Beastie Boys and Wendy's, which has gained 94,000 friends on MySpace and on its page offers downloads, wallpapers, screensavers, AIM icons, slides, audio and video. Verizon Wireless, the Honda Element, and Toyota are among those with MySpace profiles.
"MySpace is the No. 2 site on the web behind Yahoo in content consumption. About 15 million log on to the site, 30 million songs are streamed, 11.5 million friends are added, and 15.5 million comments are left each day," writes MediaPost.
Related stories:
- Media Buyers Shun Social-Networking Sites- U.K. Paper to Hook up with MySpace- YouTube Promotes Movie Trailers- A New Marketing Channel - Social Networking

Myspace, or not myspace?

Myspace, or not myspace?

Posted by Svenyboy

Oh, the quandary. Myspace seems to be completely unavoidable. Everyone everywhere has a myspace account, peddling everything from tawdry everyday waffle to viagra and super-sized condoms (that seems to be everywhere nowadays, too). So, this week, apart from the usual running around like a mad thing, I have been contemplating finally getting my shit together and getting a myspace of my own. This is a big decision for me for two reasons:
1) Why bother? Maybe I’m getting old, but I don’t know what a myspace site would do for me. Would it make me an intenet celebrity, with thousands of people clamouring to become my friend immediately? Or would it just be another thing I have to remember a password for? Myspace, in my head at least, is a place for lust-riddled teenagers to post photos of themselves with their shirts off, and chat suggestively with more of the same. Maybe I’ve got it all wrong. Reputable bands seem to launch stuff on there (not necessarily a recommendation in itself, especially if your target audience IS lust-riddled teenagers), celebs seem to chronicle their lives on there, and allow the unworthy masses to become their virtual friends - people who, were they to meet in real life, would probably pose a real security risk. Myspace is the celebrity bodyguard’s wet dream. No danger of taking a bullet online, is there? How does the ‘Friend’ thing work anyway? People register as a friend and then do what? Why would they want to be my friend in the first place? Would I have to be their friend back? Would they ditch me if I didn’t?
2) Rupert Murdoch owns it. I don’t know him personally, but I pretty much can’t stand anything that man stands for, and if I indirectly make the man who owns Fox richer, then I will feel pretty shit about myself for a while and have to do something to offset the damage I do to the world. Maybe I’ll campaign for Stonewall or something as a penance.
I like Wordpress. I like having my little blog and setting out how I like, talking about whatever I like and making my own little website. Myspace seems a bit proscriptive to me - sure you can change the wallpaper and shuffle things around, but it’s still a myspace page like all the others. Wordpress is no different, but it just feels better to me. I just don’t like the look of Myspace. Also, it doesn’t work that well with Safari, which is a bit of a pain in the ass for me, since I use Safari for everything, pretty much. Maybe I should forget about myspace and get iLife instead. But then I would have to change my url again! Oh, it’s all so confusing!! Somedays don’t you just long for good old pen and paper!?
Next week: Big gay weekend. Oh yes, hitting the Q/- and various other routes with friends. They already have the stripper pole, now all I just have to convince them of the value of a big disco fan!

Unearthing MySpace Gems

Unearthing MySpace Gems

There are millions upon millions of budding musicians and artists on MySpace - 90% of them are… shit. But, I’m here to separate the wheat from the chaff, I am the gem finder general. So five more pages for you this week. A quick reminder on how this weekly feature works; all pages featured have had less than 10,000 page-views. If you know of any artists on MySpace, with less than that many page-views, that you think I should feature, please let me know. You can either email me to the address at the left, or send me a message and/or friends request (if you are an artist or band) at my personal MySpace page or the >>just like music MySpace page.
THE MISCELLANEOUS - http://www.myspace.com/miscymusic
This German trio create what I guess you would describe as electro acoustic music, or acoustic electronica, depends which way you wanna look at it! Vocally they are like a less whiny version of TV on The Radio, and musically they create quite downtempo tracks with a large emphasis on leftfield beats and acoustic guitar. All four of the tracks on their page are very strong, and I particularly liked LETTERS and PEARLS. You need to hear this for yourself.
Chini - http://www.myspace.com/djchini
As his MySpace page says, Chini is a keyboard player / producer / DJ. He centres himself around the hip-hop, jazz, and breakbeat sounds, and the results are fantastic. Check tracks like boom boom and Break Fluid to see what Chini is all about. I really like Chini’s jazzy angle on cut-up style tracks, so funky and such energy - all you folks in the Manchester area can see him play out live quite regularly, check his page for more details.
16pac - http://www.myspace.com/16pac
16pac are a French duo consisting of Emma Delaval and Francois Puech - they were born out of similar influences, namely Bjork and Portishead - now they create their own brand of electro folk music, with Emma on the vocals and Francois on production. I also believe a chap called Vincent is involved somewhere, but it’s hard to work out from their page. The music is an intricate blend of the organic with a pinch of electro and Emma’s vocals are as soothing as they are soulful. All four tracks on their page are great and Ghost World grabbed my attention for sure.
Saving Grace - http://www.myspace.com/savinggracesyd
With influences spanning from Lior to Damien Rice to Ben Harper, you’ll be pleased to know that this Sydney quintet have the minerals to back it all up. As you will hear on tracks like A Better Day, one thing this group has is a multitude of sounds. The use of violin and cello is a welcome surprise in these over-saturated days of indie rock, the use of the classical instruments is very much underrated and Saving Grace have shown that effort clearly pays off.
Mowgli - http://www.myspace.com/mowgliuk
Mowgli is an emcee from London, a place home to a lot of good hip-hop, but also a lot of bad stuff, many wack emcees come and go, but Mowgli has the master flow. At the moment a chap named Chris Fader produces the beats and Mowgli does his thing over the top, but as you can hear through the two tracks on Mowgli’s page - back to the bricks and silent riots - this dude is here to stay. UK emcees listen up, this is how it is done.
Right old mixture for you this week then! Don’t forget to add the artists above to your friends list and leave them comments, every little helps.

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